Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. Her shoulders began to ache. Her safety lay in pretense—that what she saw was as a tale twice told. “He writes very well,” said Ann Veronica. As she crossed the square, almost within a stone’s throw of her lodgings, she came face to face with Courtlaw. He tried not to think—of Ruth with her mother's locket, of her misguided father, taking his lonely way to sea. "Do not endanger yourself on my account," rejoined his mother. "Have you been more successful, Sir?" ventured Ireton. "Captain Darren," he added, sternly, "you shall hear from me. You should have confided in me, and fallen in with my plan at the beginning. Indeed, she did not want to think of him as loving her. “It may be true, but it isn’t quite what I have in mind. There was an air of repressed gaiety in her actions: the sense of freedom had returned; her heart was empty again.
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